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Sinopsis :In the near future, a weary Logan cares for an ailing Professor X in a hide out on the Mexican border. But Logan’s attempts to hide from the world and his legacy are up-ended when a young mutant arrives, being pursued by dark forces.
Cast: Hugh Jackman, Patrick Stewart, Dafne Keen, Boyd Holbrook, Stephen Merchant, Richard E. Grant, Doris Morgado, Elizabeth Rodriguez, Eriq La Salle, Elise Neal, Reynaldo Gallegos, David Kallaway, Frank Gallegos, James Moses Black, Dave Davis, Julia Holt, Lauren Gros, Juan Gaspard, Lara Grice, Lizeth Hutchings, Mary Peyton Stewart, Mark Ashworth, Han Soto, Justin Lebrun, Christopher Heskey, Jaden Francis, Michael Love Toliver, Katie Anne Mitchell, Rebecca Chulew, Ted Ferguson, Michael J. Bradford, Erica Austin, Edgar Leza, Daymond C. Roman, Gregory Paul Valdez, Hannah Westerfield
Genre: Action, Drama, Science Fiction
Production: Twentieth Century Fox Film Corporation, Donners’ Company, Marvel Entertainment, TSG Entertainment
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Taking place in the future, where Logan is a limo driver and is about to be jumped by a few thieves. Normally this would be a walk in the park for Wolverine, but time has been cruel to our heroin. As he manages to fight off the petty thieves but not before getting shot a few times, which deals it’s toll, as he pulls the slugs out in agonizing pain. His coping mechanism is alcohol, lots of alcohol. Unlike most comic book films “Logan “ doesn’t rely on CGI. Instead it focuses on character development and story arc. And as impressive as the story is, it pales in comparison to Jackman’s acting. I don’t think anyone will be able to replace Hugh as Wolverine. He had already proved himself in the past X-Men movies, but with this addition he leaves an imprint. Becoming iconic(As Heath Ledger did with Joker).
All Logan want’s to do is retire and spend the rest of his life in the middle of the ocean on a boat with his father figure Xavier. However, Charles is in worse state than Logan is, if you can believe it. He’s losing his mind and his powers with it. Logan having trouble taking care of Charles. When he meets Laura, who has an uncanny resembles to our heroin. He is persuaded into taking her to Canada where there is a sanctuary for her. Charles’s lack of control makes there trip difficult to say the least and if that wasn’t enough for Logan to deal with, he has to face off with a cyborg named Donald. Honestly, the villain is mundane and perhaps the only aspect of the film that could be improved upon but considering the film is over two hours in length and the depth they add to Logan and Laura, asking for them to add depth to a cyborg cowboy, would be asking for too much. James Mangold delivers a rich story and expands X-men’s horizon.
I get to see a lot of movies early due to my employment at a media group, whether I like it or not, but I actually had to finagle my way into a screening of Logan.
And thank god.
Logan is a film which I consider it a privilege to have seen. When you see the film, you’ll understand. This is a FILM, not a super hero movie.
For years, fans have yearned for an honest to God Wolverine movie, and we got damn close with Mangold’s The Wolverine, a few years prior. This time, after Deadpool paved the way for R Rated X-Men films, Fox have finally gotten out of the way.
Logan is a gnarly, emotional and honest film about Wolverine. Hugh Jackman carries the movie in a minimalist, yet terrifying performance. This movie has everything, yes there is gore and f-bombs, but also a story. James Mangold has taken elements of the acclaimed “Old Man Logan”, and had created a masterpiece. I’m not going to spoil anything here, but suffice it to say that Logan is now THE definitive comic book movie, in my mind, unseating Zack Snyder’s Watchmen.
This movie is exactly what I needed it to be and god bless it.
Do yourself a favor and watch this film.
More grizzled and withered than ever (until he takes off his shirt, that is), James Howlett (Hugh Jackman) is starting to resemble an elderly Mel Gibson. Here, he’s first seen drunkenly awaking in the back seat of his limo as thugs attempt to steal the hubcaps from the vehicle. Cursing, he reluctantly begins to fight back (taking a heavy bruising in the process), eventually unleashing a flurry of razor-sharp claws and severed limbs, with extra brutal gashes and punctures that contribute to the film’s R-rating. His days of helping people are long gone; instead, he’s just trying to get by, surviving in the wake of drugs and booze and wounds that don’t seem to heal as rapidly as before.
With something of a postapocalyptic feel in the waning years of faded superheroes, everyone trudges through “Logan” as if in a perpetual state of exhaustion. It’s 2029, and the world hasn’t turned futuristic at all (if anything, it’s more desolate and decrepit, hinting at the deterioration of a Mad Max dystopia); technology has apparently stalled, and the man who once was revered as Wolverine is physically and psychologically beaten and broken. His longtime mentor Charles Xavier (Patrick Stewart) is essentially senile, constantly sedated, and locked away in an overturned water tower on the Texas-Mexico border. The rusted metal dulls the effect of his regular seizures, which are able to paralyze anyone who gets too close, including the only other mutant around, Caliban (Stephen Merchant), a self-proclaimed “glorified truffle pig” albino who can sense the presence of other mutants, even though he’s one of the very last of his kind. Thanks to continued biological experimentations, a new mutant hasn’t been born in over 25 years.
Into this existence of bitterness and regret and general disrepair comes a young girl, Laura (Dafne Keen), who is taken in by Xavier when temporary guardian Gabriela Lopez (Elizabeth Rodriguez) is hunted down by Dr. Rice (Richard E. Grant) and his goon Donald (Boyd Holbrook), who are out to recapture the children they’ve been manufacturing in the labs of secretive company Transigen. She’s as volatile and angry as Howlett, with her own set of Adamantium claws, but she doesn’t share the knotty masses of scars that spiral across his torso. The two are quite a pair, uneasily trying to thwart the father/daughter relationship that unavoidably forms between them. But the grittiness and the rancor permeating every interaction is a tough sell; this is definitely not what many audiences will come to expect from a superhero movie.
In fact, the most incongruous factor in “Logan” is the presence of superpowers. Were it not for some brief moments with levitation and other minor elements of the supernatural, the entire picture could have been a straightforward thriller, in the vein of “Leon the Professional” or “Man on Fire or “True Grit,” wherein a vengeful soldier protects a fragile yet feisty ward. Some of the best scenes occur in seconds of calm, as the grounded drama of a quiet farming family help to infuse some humanity into the cowed underdogs. But then writer/director James Mangold goes too far with the “Shane” references and the pitch-blackness, dashing aside artistic subtlety for repetitive footage and unemotional claw-skirmishes, eventually deteriorating along the path of last year’s “Midnight Special.”
It doesn’t help that the villain is ridiculous, especially as he manages invincibility in the face of Wolverine’s inseparable weaponry, or that Jackman is doubly used as yet another uninspired, genetically manipulated pawn. Fortunately, the sullen tone — when handled properly — generates some pulse-pounding tragedies, though some of these even wander too close to the realm of cruel or mean-spirited. The fun of the formerly colorful X-Men is unyieldingly replaced with darkness and graphic violence, which is rarely as rewarding as it is unnecessary. Like an old Terminator, James pushes onward, occasionally stopping for some mending or unhurried brooding, alternating his ferocious fighting with painful reflection. The end result is like Sam Peckinpah’s misanthropic vision of heroes — vulgar and severe and savage, engaging in bloodshed that could only be deemed heroic because the instigators are more exaggeratedly evil and relentless. In this way, it’s perhaps most comparable to “Bring Me the Head of Alfredo Garcia.” Still, it’s difficult not to enjoy the surrogate family dynamic between the mostly mute girl, the cynical survivor, and the wheelchair-bound moral compass, but it could have all been more potent and meaningful if the frigid, unfriendly neo-Western setting wasn’t stymied by the existence of telepathic and telekinetic mutants.
- The Massie Twins
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